簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：

　　向地球襲來的大危機(jī)！
　　這個(gè)夏天奔奔者將肩負(fù)燃爆的任務(wù)！

簡(jiǎn)介：

　　在曾經(jīng)的青蔥歲月中，羅米（米拉·索維諾 Mira Sorvino 飾）和米歇爾（莉莎·庫卓 Lisa Kudrow 飾）是校園里靚麗的風(fēng)景線，作風(fēng)張揚(yáng)又別具一格的兩人在吸引眾人眼球的同時(shí)也遭到了不少非議。如今，早已經(jīng)走入社會(huì)的兩人依舊維持著當(dāng)初的友誼，只是，她們離曾經(jīng)的夢(mèng)想和夢(mèng)想中的生活卻很遠(yuǎn)很遠(yuǎn)。
　　即將舉辦的高中同學(xué)會(huì)猶如一道閃電照亮了兩人平庸的生活，在虛榮心的驅(qū)使下，她們決定喬裝打扮一番，企圖再度找回做“女王”的感覺。不幸的是，在同學(xué)會(huì)上，曾經(jīng)的死對(duì)頭希瑟（詹尼安·吉?jiǎng)诜_ Janeane Garofalo 飾）毫不留情的拆穿了羅米和米歇爾苦心營造的假象，就在兩人窘迫不已之時(shí)，一度被嘲笑為“書呆子”的男孩桑迪（艾倫·卡明 Alan Cumming 飾）變身百萬富翁出現(xiàn)在了她們的面前。

簡(jiǎn)介：

阿喬·卡維爾是一位無所畏懼的斗士，甚至不懼死亡。他那強(qiáng)烈的戰(zhàn)斗欲望源于一個(gè)秘密：他的陽痿。當(dāng)他與一位名叫伊藤（Iteung）的強(qiáng)悍女斗士相遇時(shí)，阿喬被打得遍體鱗傷，但他也深深地愛上了伊藤。阿喬的人生道路能否讓他與伊藤一起走向幸福的生活，并最終獲得內(nèi)心的平靜？

簡(jiǎn)介：

　　An uplifting and heartwarming story about finding the magic of Christmas, no matter where you might be, This Is Christmas follows Adam (Alfred Enoch) and Emma (Kaya Scodelario) as they make their daily commute from the picture-perfect village of Langton to London for work. Every day they share their journey with the same characters, but they all keep themselves to themselves. But then one day, in the build-up to Christmas, Adam breaks the unwritten rule of travel and starts talking to the strangers on the train, inviting the whole carriage to hold their own Christmas party.

簡(jiǎn)介：

描寫的是一對(duì)孿生姊妹（胡蝶兼飾）的不同遭遇。妹妹二寶自幼跟隨私販洋槍的父親逃往城市，長(zhǎng)大以后被父親送給了軍閥錢督辦做姨太太；姐姐大寶則和母親（宣景琳飾）一起住在鄉(xiāng)下，后來嫁給一個(gè)窮苦的木匠桃哥（鄭小秋飾），父母姊妹不通音訊，彼此不知下落。十多年后，大寶夫婦和母親從鄉(xiāng)下流落到城市。桃哥去做工，大寶拋下未滿月的孩子，到錢督辦的公館去當(dāng)奶媽，她帶的正好是二寶的孩子。二寶作為主婦，對(duì)大寶非常冷淡，甚至因?yàn)榇髮毻饷部崴谱约憾械椒锤?；大寶為了保住飯碗，只好盡心服侍小主人。一天，桃哥干活時(shí)摔傷，無錢醫(yī)治，大寶便懇求二寶預(yù)支一點(diǎn)工錢，但二寶非但不肯，反而打了大寶一記耳光。大寶為了救治丈夫，便竊取了小主人的金鎖片，不巧又被錢督辦的妹妹撞見，大寶失手碰倒花瓶，致使錢妹遭誤傷而亡，大寶即以殺人罪入獄。大寶入獄后，母親前來探監(jiān)，才發(fā)現(xiàn)主辦大寶一案的軍法處長(zhǎng)正是遺棄自己多年的丈夫。丈夫在妻子的憤怒斥責(zé)和要求下，安排妻子和大寶、二寶會(huì)面。真相大白后，二寶終于為母親和姐姐的苦難遭遇所感動(dòng)，不顧父親勸阻，帶領(lǐng)她們驅(qū)車前往錢督辦處求情。1934年，《姊妹花》被評(píng)選為最佳有聲片；1935年，《姊妹花》曾和《漁光曲》等影片一起被推薦參加莫斯科電影節(jié)展映。

簡(jiǎn)介：

簡(jiǎn)介：

　　一個(gè)有抱負(fù)的女演員與她的未婚夫協(xié)議用脫衣舞娘的工作來救治她的癌癥的父親，一旦協(xié)議失效，他們的生活將永遠(yuǎn)改變。

簡(jiǎn)介：　　千禧年前后，虎城動(dòng)蕩不安，政府為了重振秩序，降低犯罪率，決定鏟除腐敗的地下娛樂業(yè)和洗黑錢的行徑。以四爺（張兆輝 飾）為代表的黑惡勢(shì)力及商業(yè)調(diào)查廳廳長(zhǎng)左君哲（吳鎮(zhèn)宇 飾）暗中操控局勢(shì)，試圖趁市場(chǎng)開放之機(jī)渾水摸魚爭(zhēng)奪經(jīng)營權(quán)。以江文峰（鐘漢良 飾）為代表的警方與他們展開了一場(chǎng)驚心動(dòng)魄的對(duì)決。

簡(jiǎn)介：　　年輕貌美的單身母親李美華，用盡自己的積蓄開了一家婚紗店，不幸的是開業(yè)的前一天婚紗店發(fā)生火災(zāi)，李美華雇傭的兩名店員葬身火海，從此，李美華踏上讓兩個(gè)失去親人的家庭寬恕自己的人生路。影片取材于臺(tái)灣著名演員高金素梅(曾出演李安的成名作《喜宴》)的真實(shí)經(jīng)歷。編劇經(jīng)過藝術(shù)加工，將故事背景移植到大陸，主題立意強(qiáng)調(diào)一個(gè)人應(yīng)有的良知與責(zé)任。

簡(jiǎn)介：Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

簡(jiǎn)介：

當(dāng)晚宴上有一個(gè)奇怪的，神秘的人工制品被共享時(shí)，導(dǎo)致一群老朋友質(zhì)疑他們的忠誠度，最后是他們的理智，這是一部卑鄙的話劇，一部是超現(xiàn)實(shí)的恐怖片，“東西掉了”。