簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開(kāi)啟屬于你的午夜狂歡。

簡(jiǎn)介：菲尼克斯，一個(gè)迷失的靈魂，渴望更多的東西，試圖重新加入她選擇的家庭時(shí)，為了證明她的價(jià)值，她必須玩一些非常危險(xiǎn)的游戲。

簡(jiǎn)介：　　電影是一段圍繞著兩兄弟的故事。哥哥文光（莊仲維 飾）個(gè)性敏感，無(wú)法專注集中，更不善與人交際。盡管如此，弟弟（張順源 飾）一直設(shè)法幫助文光找到工作。然而，文光屢次搞砸面試，闖禍惹麻煩，弟弟氣憤又無(wú)奈。直到有一天，弟弟聽(tīng)到哥哥房間傳來(lái)的音樂(lè)聲，才意識(shí)到哥哥的音樂(lè)天賦一直默默閃耀著。

簡(jiǎn)介：　　Just after the First World War Fred Roberts goes for a job as a newspaper journalist and tells the sub-editor how, in the trenches in 1916, he discovered a printing press in working order. Helped by ex-printer Sergeant Harris and with his friend Jack Pearson as his assistant, he sets up the Wipers Times - the name coming from the soldiers' pronunciation of the town Ypres. Despite disapproval from officious Colonel Howfield but with backing from sympathetic General Mitford they produce twenty-three issues of a satirical magazine - its articles represented on screen in black and white - which boosts morale and even gets mentioned in the Tatler. The press is destroyed by a German shell but another is found and the paper's title changed to fit in with wherever the regiment is deployed.

簡(jiǎn)介：一名被感染的男子在世界末日后的世界中尋找生存和希望。

簡(jiǎn)介：5 歲的帕特里克不知道自己想要做什么，父親給他的壓力也無(wú)濟(jì)于事。但后來(lái)他遇到了一位被誤解的馴馬師，說(shuō)服他參加德比杯訓(xùn)練。帕特里克能說(shuō)服父母讓他參加比賽，打敗富有的鎮(zhèn)上惡霸——并找到內(nèi)心的冠軍嗎？

簡(jiǎn)介：一名離婚女子驚訝地得知她的前夫突然與一名比她年輕很多的女人再婚；更讓她驚訝的是發(fā)現(xiàn)了她黑暗而危險(xiǎn)的過(guò)去。

簡(jiǎn)介：一位忙碌的外科醫(yī)生回家慶祝她父親當(dāng)選市長(zhǎng)。但在與鎮(zhèn)上唯一的醫(yī)生——也是最有資格的單身漢——偶然相遇后，她見(jiàn)證了真正的同情心，這可能是這位醫(yī)生所需要的藥方。

簡(jiǎn)介：

簡(jiǎn)介：烏龜們回到了過(guò)去，必須穿過(guò)史前恐龍和三角龍才能回到家。

簡(jiǎn)介：　　This kicks off with the murder of one Adolf Schwartz (who bears a striking resemblance to another famous Adolf) by placing a ravenous piranha fish in his bathtub. Who did it? No-one knows or cares, as they're too busy being distracted by busty Margo Winchester, who hitch-hikes into# town and gets involved with all the local men. It all ends with a series of complicated plot twists that reveal that just about everyone is really someone else. And if it gets too confusing, Russ Meyer helpfully arranges for a one- woman nude Greek chorus to pop up at intervals to explain what's going on.

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