簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)簟Ｌ剿魑粗?，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：Sequel to Becky (2020).

簡介：Edward Dunstan is an artist obsessed by his muse. Every photograph and every movie conveyed the same meaning What he wanted to see. His muse waited in vain for him to see her as she was, but he could not. And so, like the mermaid in his latest movie who grew legs and left him, so does his muse. For months his days and nights are filled with watching her on the screen. His anger turns to self-pity... turns to acceptance... Only now does he understand what he put her through. When his latest letter to her is returned, he binds himself in chains and climbs into the very tank of water his muse spent many unhappy hours.

簡介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but na?ve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

簡介：瓦妮莎扮演一位年輕的未婚媽媽，她逃脫了總是虐待她的母親去找生父，而他的生父先是接受了她，然后因為她不愿意打掉孩子又趕走了她。

簡介：The family tensions of six siblings born to the same father and different mothers.

簡介：When school teacher Harriet Winslow goes to Mexico to teach, she is kidnapped by Gen. Tomas Arroyo and his revolutionaries. An aging American, Ambrose Old Gringo Bierce also in Mexico, befriends Gen. Arroyo and meets Harriet. Bierce is a famous writer, who knowing that he is dying, wishes to keep his identity secret so he can determine his own fate. Though he likes Arroyo, Bi...

簡介：梗概：熱愛音樂的年輕人劉天歌，參加了音樂夏令營活動，這里云集了無數(shù)懷有音樂夢想的年輕人。他們要努力學(xué)習(xí)，盡情歌舞，享受快樂的音樂時光，為了自己的夢想努力拼搏奮斗。

簡介：50年代一個外星微生物降臨在遙遠(yuǎn)的西伯利亞。2004年，美國科學(xué)家在阿拉斯加的一個地下頂級秘密實驗室克隆此生物。就在完成試驗前一刻收到了來自實驗室混亂和慘痛的訊息。這也是科學(xué)家們發(fā)出的最后訊號，一只由科學(xué)家和軍方組成的探險隊被指派前去一探究竟。

簡介：一個剛死了丈夫的寡婦獨自開車出城想緩解悲痛，卻被一個陌生男子跟蹤、綁架，關(guān)在人跡罕至的林中木屋里，并告訴她自己不是初犯。頑強的女子拼命逃了出去，在林間、河水里與殘忍的綁架者展開周旋。

簡介：一群宇航員執(zhí)行太空任務(wù),飛行后抵達(dá)了一顆神秘的星球,當(dāng)他們降落后，發(fā)現(xiàn)這里氣候適合人類生存,但隨著探索的不斷深入,他們終于發(fā)現(xiàn)了這顆星球的重要秘密...

簡介：《當(dāng)我要飛時》講述因為一個再婚的消息，讓四個來自完全不同家庭的高中生走到了一起。處在青春期的他們，在各自面對問題時所表現(xiàn)出的態(tài)度，增添了無法抹去的悲劇色彩。孩子們最終發(fā)現(xiàn)，不是每一個錯誤，他們都有能力為此買單。以航志宇（王浩翔 飾）、肖笑（梁詠妮 飾）、鄭策（吳昊 飾）、林木（劉泊栩 飾）這四個家庭迥異、性格不同的高中生為視角，展現(xiàn)當(dāng)代少年們的個性風(fēng)貌、成長煩惱和自我審視，最終勇敢擔(dān)當(dāng)，蛻變成長。相信該片的少年蛻變、友誼成長、家庭溫情都將是打動人心的看點，直擊觀眾們敏感的內(nèi)心。