簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)?。探索未知，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：影片簡(jiǎn)介　　根據(jù)世界十大推理小說艾拉李凡的原著改編。劇情描述英俊男子喬納森利用他的天賦俘虜了煤礦大王女兒桃樂茜的芳心，以為從此可以飛黃騰達(dá)。不想情海生變，他竟鋌而走險(xiǎn)殺了桃樂茜，桃的家人都深信她死于自殺，她的孿生姐妹愛倫也愛上了喬納森，并嫁了給他?；楹髤s發(fā)現(xiàn)事有蹊蹺，乃暗中追查真相。　　　　影片評(píng)價(jià)　　根據(jù)世界十大推理小說艾拉李凡的原著改編，由編劇出身的詹姆斯．狄登編導(dǎo)。劇情描述英俊男子喬納森利用他的天賦俘虜了煤礦大王女兒桃樂茜的芳心，以為從此可以飛黃騰達(dá)。不想情海生變，他竟鋌而走險(xiǎn)殺了桃樂茜，桃的家人都深信她死于自殺，她的孿生姐妹愛倫也愛上了喬納森，并嫁了給他?；楹髤s發(fā)現(xiàn)事有蹊蹺，乃暗中追查真相。西恩．揚(yáng)在片中一個(gè)人分飾個(gè)性差異很大的兩姐妹，有不俗演出，麥特狄倫扮演負(fù)心漢，與將美國(guó)青年不擇手段追求財(cái)富的心態(tài)詮釋得不錯(cuò)。

簡(jiǎn)介：這是一部講述平凡人在日常生活中尋找美好的電影。主人公平山是一名清潔工，對(duì)于平凡而規(guī)律的工作生活感到滿足。除此之外，他熱愛音樂、書籍和拍攝樹木的照片。一次意外的相遇漸漸揭示了他的過去…

簡(jiǎn)介：　　江林是一名普通的職員，不幸的是他又一次被炒魷魚。在生活的壓力下，貸了不少錢，生活無比艱辛，甚至債主追債追到家里了，一天，江林在和好朋友李兵喝酒的時(shí)候得到了意外的收獲，他的生活是否因此改變？

簡(jiǎn)介：　　為妹妹報(bào)仇而打傷流氓的江濤剛剛出獄想趕快投入社會(huì)，自己雖然不想多生事端，但愛慕之心還是讓他幫李曉彤從小偷那里追回了錢包。李曉彤的閨蜜辰辰為感謝江濤，為他介紹了KTV的工作，并也給急切救治父親的李曉彤介紹了放高利貸的KTV王老板。此時(shí)的王老板其實(shí)也被黑道上的合伙人龍哥弄得焦頭爛額，就這樣剛剛開始互生情愫的兩個(gè)年輕人卷入了一場(chǎng)放高利貸的漩渦……

簡(jiǎn)介：A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about.　　Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.