Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.

　　The movie concerns about Trinity(Terence Hill=Mario Girotti)a roguish and cocky gunman with fast weapon who works as bounty hunter.His brother Bambino(Bud Spencer)is sheriff in a village but is also an undercover thief which attempts execute a heist.
　　The'll face off against a rich owner(Farley Granger) and a Mexican marauders who try evict to a Mormons group. They help to the pacific settles and the confrontation will be inevitable but is developed by means of successive fights without blood,neither gore or cruel murders.The violence isn't crude but slight and predominates the comedy and parody. The storyline is embarrassment and ridiculous but has its agreeable moments here and there.It's a spaghetti western with humor and narrates the usual issues:invincible antiheroes,spectacular showdown ,violent taking on but united to slapstick and simple humor.It's an entertained Italian western with adequate runtime where there are irony,tongue in check,shoot outs,numerous struggles and is quite funny and amused. Terence Hill is sympathetic,hilarious and likable; Bud Spencer is rough, two fisted,bouncing ,grumpy man but with good heart,their characters are similar to Stan Laurel and Oliver Hardy.The film is a spoof of famous films as ¨the magnificent seven¨ and ¨blazed saddles ¨but covered with spaghetti.The picture obtained a sequel with the same protagonists and director¨Trinity is still my name¨.Besides originated a series of awful imitations and copies. Rating:nice and bemused.

呂柔（容祖兒 飾）在度假村開設(shè)了一間寵物店，繼而認識了經(jīng)營燒烤場的黃興貴（劉青云 飾）。阿貴臉上有一道奇怪的胎記，口上說不介意，但其實一直耿耿于懷因為這塊胎記令自己失去了很多戀愛的機會，更令別人覺得他是壞人。小柔一直尋覓初戀情人阿Tim，阿貴積極相助。幾經(jīng)辛苦小柔找到了阿Tim，可是此時阿Tim已經(jīng)有了女朋友，傷心不已的小柔一蹶不振，無心工作。幸好阿貴不斷鼓勵小柔，讓她寄情于工作，期間二人情愫漸生。

在離開了弗羅里達之后，貝絲（麗貝卡·豪爾 Rebecca Hall 飾）來到了諸多淘金者心目中的圣地拉斯維加斯，在那里，她找到了一份酒吧女招待的工作。雖然生活和設(shè)想中的大相徑庭，但貝絲并沒有太多的精力去思考和抱怨，每一天，能夠吃飽，有地方住就已經(jīng)是最大的奢侈了。

周長青為美國留學(xué)生，在一次化妝舞會中遇到沈潔冰，潔冰乃一位女小說家，名為神秘夫人，但潔冰不愿以真面目示人。后來兩人回港，潔冰到了長青家中，成為長青母親的私家看護。長青并不知潔冰就是神秘夫人，而到處尋找神秘夫人。其舅父貪周家的錢財，找人假冒神秘夫人。這件事同時被一名“飛仔”劉健知悉，亦找人假冒神秘夫人，但兩人的騙局都被長青妹妹及表弟識破。長青單思成疾，母親為了一解兒子單思之苦，要求潔冰再扮演神秘夫人，經(jīng)過一番誤解后，長青與潔冰相認。 　　中文名 神秘夫人 　　外文名 Madam mystery 　　出品時間 1966年 　　出品公司 嶺光影業(yè)公司 　　發(fā)行公司 嶺光影業(yè)公司 　　制片地區(qū) 中國香港 　　導(dǎo)    演 李應(yīng)源 　　編    劇 潘藩 　　制片人 黃杰 　　類    型 劇情 　　主    演丁瑩，朱江，譚蘭卿，李云嫦，梁琪，羅蘭 　　上映時間 1966年02月16日 　　對白語言 粵語 　　色...

勞拉·祖尼加是一個墨西哥的女模特，年輕的她正在積極準備選美比賽，因為這是她改變自己生活和命運的機會?？墒窃跍蕚浔荣惖倪^程中，墨西哥的黑幫和毒販子卻“不請自到”。要挾她為黑幫服務(wù)。

布蘭迪（羅斯?林奇 Ross Lynch 飾）和麥肯齊（瑪雅?米切爾 Maia Mitchell 飾）是一對非常恩愛的小情侶，他們有著共同的愛好——沖浪，這讓兩人之間的感情親上加親。麥肯齊自幼失去了父母，由姨媽撫養(yǎng)長大，麥肯齊的母親一直希望自己的女兒能夠成長為一名真正的淑女，所以姨媽決定將麥肯齊送往寄宿制的貴族學(xué)校里去上學(xué)，這也就意味著，她和布蘭迪將要分居兩地。