簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場感官的極致盛宴。每一次心跳，都是對寂寞長夜最有力的回?fù)簟Ｌ剿魑粗?，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：心碎的賈莉拉忙著張羅丈夫與二房嬌妻的婚禮，婚宴甫落幕，又意外發(fā)現(xiàn)女兒在學(xué)校偷嘗初戀滋味；渴求自由的女兒異想天開，竟決心帶男友回到婚姻觀念封閉的部落拜見家長。母女二人在自身幸福、親情羈絆、家族顏面以及傳統(tǒng)規(guī)范之間心力交瘁……　　導(dǎo)演的首部劇情長片，以少女渴望擺脫傳統(tǒng)束縛的角度，深究貝都因部落的父權(quán)社會與現(xiàn)代社會的沖突，刻畫動人的母女之情。

簡介：1940年，多方勢力盤踞南京，特工金深水（張譯 飾）終日周旋于日本軍方、汪偽政府和軍統(tǒng)之間，如同行走于刀尖一般，有著多重身份的他，在滿目瘡痍的南京城里小心翼翼地活著，隱藏著真實的自己，也尋找著自己乃至整個民族的生路。直到他遇到了和他一樣心懷國仇家恨、卻似乎比他更游刃有余的林嬰嬰（郎月婷 飾），在和她并肩作戰(zhàn)與各方勢力展開明爭暗斗的過程中，于亂世中求生的金深水第一次開始真正地覺醒……

簡介：An American mother searches for her daughter who was kidnapped by human traffickers in Central America

簡介：這部電影的主人公是一個尋找過去記憶的女人。葛露麗在法國生活20年之后回到故鄉(xiāng)伊朗北部城市拉什特，首先遇到的是經(jīng)營相框商店的帕爾哈德。帕爾哈德說葛露麗是他小時候的同學(xué)，但葛露麗對此毫無印象。然而帕爾哈德還記得葛露麗小時候的事情，而且還很熟悉葛露麗已經(jīng)去世的母親。帕爾哈德就像是他做的相框把照片保存完好一樣，所有的記憶也都保存在他的腦海里。然而葛露麗卻什么都想不起來，她在帕爾哈德的幫助下，去和曾經(jīng)認(rèn)識的人們見面，也逐漸找回了失去的記憶，發(fā)現(xiàn)了帕爾哈德的過去。

簡介：1998年，賭城政府為了有效降低社會犯罪率，整頓已經(jīng)紛亂不堪的地下博彩業(yè)，聯(lián)合警方和博彩協(xié)會展開了嚴(yán)厲打擊地下賭場的行動，并將新建賭場經(jīng)營權(quán)以拍賣的形式分發(fā)下去，重新整頓和肅清博彩業(yè)。由于·次不·樣的拍賣引發(fā)賭城風(fēng)云變遷，這里面又有什么樣的秘密和不為人知的利益呢....

簡介：簡介：　　2008年法國2臺播出的電視電影，曾參展09年Mardi Gras電影節(jié)，導(dǎo)演是曾經(jīng)拍出“隱藏的戀情”（A Love to Hide）的Bertrand Renaud。參加演出的演員表現(xiàn)非常出眾，配樂也很優(yōu)美；影片在畫面精美的同時也發(fā)人深省，討論嚴(yán)肅問題卻不感覺沉悶，是一部難得的佳作?！　?981 年Bruno、Isabelle、Nicolas和Nathalie四個年輕人還都只有20歲，愛情和信仰轟轟烈烈。然而那也是個艾滋如洶涌潮水開始肆虐的年代。當(dāng)艾滋突如其來發(fā)生在他們中間時，友誼、家庭、愛情，一切就此坍塌，一切有待重建。這些年輕人與艾滋抗?fàn)幎?，?jīng)受了痛苦、絕望、不甘和各種考驗，最終仍然相愛。本片將他們兩個世紀(jì)的故事濃縮在上下兩集中，以史詩的風(fēng)格從青少年角度切入，描繪了80年代至今艾滋病對法國社會和家庭以及個人命運的改變?！　“滩〉某霈F(xiàn)不但威脅到人類健康，更衍生出諸多的社會政治等問題，影片的第1集講述當(dāng)艾滋病出現(xiàn)時，人們對此的反應(yīng)和態(tài)度；第2集則著重人對自己的身份認(rèn)同及面對的社會問題?！　　?簡介來源：【同志亦凡人中文站】

簡介：This 1992 Japanese film tells the story of a scientist who sets out to create the new super Adam and Eve, humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.　　comments from imdb　　This modern tale of an attempt to build a creature is one of the best horror films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.　　This film was introduced to me by someone who told me I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it. Intrigued I asked what did he mean, and he said, Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage. My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.　　15 out of 10 and then some. 1010　　Also known as The Last Frankenstein, this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic Freaks.　　Intelligent, emotional, tragic and real, this is an absolute gem. 910

簡介：隱藏在小亞細亞的茫茫冬雪中，是看不見盡頭的凄滄。小學(xué)老師薩密自比枯草，一直期待快將調(diào)職回城市的學(xué)校，但某日一封學(xué)生藏在筆記簿里寫給他的情書被發(fā)現(xiàn)，衍生出他性騷擾學(xué)生的指控。夢想幻滅、同袍情誼惡化、其他教職員之間的竊竊私語，使得薩密臨近崩潰邊緣。直到遇見幫他克服難關(guān)的女老師，讓這絕望的寒冬起了變化。 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?土耳其電影大師努里·比格·錫蘭時隔四年帶來新作，借人與人之間的傷痛和救贖，既自省亦警世。餐桌上一場群體與個人、抗?fàn)幣c妥協(xié)的意識形態(tài)思辯，更令人拍案叫絕。女主角憑此片奪得戛納電影節(jié)最佳女演員殊榮，成為史上首位土耳其戛納影后。

簡介：When the Herring family wake up in a basement after a car accident, the only thing scarier than not knowing how they got there, is realising that they're not alone.

簡介：影片根據(jù)真實事件改編。一場當(dāng)街持槍殺人案掀起軒然大波，刑偵支隊長周宇桐和徒弟王峰幾經(jīng)追查鎖定職業(yè)殺手，實施抓捕之際，雇兇殺人的范家兩兄弟不惜鋌而走險，設(shè)計大爆炸來殺人滅口，王峰在行動中不幸犧牲，兇殘嫌犯卻殺人劫車，試圖穿越林海雪原出境。來不及悲痛的周宇桐怒火追兇，身受重傷卻堅持咬緊不放，在零下30度的極端嚴(yán)寒中與悍匪范巨友展開了殊死搏斗……

簡介：萊恩年僅五歲的女兒米亞慘遭殺害，警方偵辦多時，卻無絲毫線索，萊恩只好靠自己之力進行調(diào)查。某夜，他透過窗外，發(fā)現(xiàn)住在他附近一名叫格蘭傑的男子，手上把玩著米亞最喜歡的蝴蝶髮夾，警方經(jīng)過大肆搜索卻怎樣也找不到髮夾，沒有任何事證，這點讓警方束手無策。然而，萊恩堅信他就是兇手，於是動手綁架了格蘭傑，沒想到不管動用何種酷刑都不能讓格蘭傑招供，就在萊恩的信念開始動搖時，鎮(zhèn)上又發(fā)生了另一起女童被擄的案件，五歲的克拉拉命在旦夕，萊恩能拯救另一條無辜的性命嗎？