簡介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

簡介：老妓女金如（吳君如 飾）在自助銀行里遇到了小偷（曾志偉 飾）打劫，怎料突然停電，兩人都被鎖在里面，阿金開始向小偷說起了她與香港一起成長的故事。她16歲開始當(dāng)“魚蛋妹”，當(dāng)時已經(jīng)月入數(shù)千，后來成年后就正式成為了舞小姐，可是她沒有出色的容貌，也只能在夜總會里擔(dān)演丑角?？墒侨詾樗龓砹耸重S厚的收入，卻不一小心懷上了不知是那位客人的孩子，為了生活，阿金只好把帳認(rèn)到了另一位客人頭上，客人也把兒子帶到了美國。經(jīng)濟(jì)不景，接著她只好做按摩女郎，繼續(xù)做著老本行，她看到了很多，也感受到了很多。

簡介： 　　這座城市出現(xiàn)了一名綽號“Blitz”的連環(huán)殺人魔，他神出鬼沒地殺害多名警官，而他的兇器只是一把錘子。沒人知道他的蹤跡，而他也因作案手法老練而使警方難以破案。囂張的他更在每次作案前后都會和某報社負(fù)責(zé)犯罪版塊的編輯鄧洛浦（大衛(wèi)·莫瑞瑟DavidMorrissey飾）報告殺人的細(xì)節(jié)，從而追求社會的關(guān)注。鄧洛浦為了自己出名而沒有通知警方，每次都能讓警方試圖封鎖消息的計劃破滅，也因此被警方注意。

簡介：　　胡冠宇對桌球充滿著熱情，每天拉著好友黃軒持續(xù)練習(xí)對打，一心想成為奧運選手。
　　學(xué)校的新任教練讓球隊產(chǎn)生了不同以往的氣氛，胡冠宇等人的實力逐漸有所成長。黃軒也在訓(xùn)練中嶄露天賦，兩人球技拉開差距的同時，與胡冠宇漸行漸遠(yuǎn)。
　　失去伙伴的胡冠宇陷入自暴自棄的低潮，但在同伴們的陪伴下脫胎換骨。歷經(jīng)一年的苦練，胡冠宇成功取得選拔賽的參賽資格，終于要面臨最后的決賽對手──黃軒。

簡介：

在青梅竹馬小蘭（忽那汐里 飾）的鼓動下，工藤新一（溝端淳平 飾）半推半就乘上飛往京都的飛機(jī)，去觀摩正在那里拍攝時代劇的毛利小五郎（陳內(nèi)孝則 飾）的表演。飛行途中，名叫大鷹和洋（波岡一喜 飾）的攝影師陳尸洗手間，引起乘務(wù)組的恐慌。工藤新一就在1萬英尺的高空展開推理。好不容易來到京都攝影所，針對男主角櫻庭（中村俊介 飾）的謀殺預(yù)告?zhèn)鱽?，不久更有一名女演員遇害。新一和對手服部平次（松坂桃李 飾）展開競技般的推理……