簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：　　As the SUN burns out, an American family gathers at the end of the world, their hopes for rescue slowly crumbling as they also confront long lasting divides amongst each other.

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Aziz Ansari’s next stand-up special, Aziz Ansari: Nightclub Comedian, will premiere on Netflix on Jan. 25.

簡介：　　心理治療師魯本的夢境飽受“妖魔化”的名畫侵擾，蒙娜麗莎、維納斯全都成了駭人的噩夢怪物;若想一覺好眠，唯一的辦法是偷走所有入侵他夢里的名畫。為幫助魯本脫離夢魘，他與四名身懷絕技的病人聯(lián)手組團偷遍羅浮宮、泰特現(xiàn)代藝術(shù)館等各大美術(shù)館一場飛天遁地、瞞天過海的瘋狂盜竊計劃也就此展開...

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《深湖巨獸》的故事發(fā)生在二戰(zhàn)結(jié)束幾十年后的加拿大，美國石油公司為了勘測北極冰層下的石油資源，開發(fā)出價值50億美元的高科技設(shè)備。但設(shè)備卻在廣袤的加拿大深水湖湖區(qū)神秘失蹤，消失在一片廣袤湖區(qū)之中。 　　為了在競爭對手發(fā)現(xiàn)之前盡快找到丟失的設(shè)備，經(jīng)驗豐富的潛水工程師尚恩不得不中斷假期，帶著他的兒子和全套搜尋設(shè)備一起來到湖區(qū)。本以為是和渡假一樣輕松的潛水之旅，沒想到等待他們的，除了傳說中的大水怪，更是一次驚險且精彩的奇幻之旅……

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原作《甜心戰(zhàn)士》曾于1973年在《周刊少年Champion》上連載，東映動畫曾將其制作成TV動畫在朝日電視臺播出了25集。在2004年，庵野秀明曾經(jīng)將該漫畫拍成真人版首次搬上銀幕，由佐藤江梨子主演并引起了巨大話題。 　　此次的新作將把背景設(shè)定在近未來，世界各地氣候異常、未知病毒蔓延導致人口急劇下降，根據(jù)某位博士的愿望誕生了一名有著人類感情的人工智能甜心戰(zhàn)士。在該作中，運動神經(jīng)超群的西內(nèi)瑪利亞將首次挑戰(zhàn)動作戲份。

簡介：影片講述男孩比利(勞瑟飾)被母親送到父親身邊，并轉(zhuǎn)了學校，但保守的新學校壓制著他。比利不得不采取行動，挑戰(zhàn)學校權(quán)威，以獲得“返校節(jié)皇后”的稱號。

簡介：武裝革命推翻獨裁政權(quán)，是以暴制暴，還是以暴易暴國際影展?？鸵晾拭麑яR克馬巴夫描寫一位被推翻的獨裁總統(tǒng)帶著小孫子逃亡，喬裝成貧民、躲藏社會底層，遇見一個個因其恐怖統(tǒng)治而殘破不堪的家庭與個人。究竟他應該被吊死？燒死？斬首？還是隨眾人渴望的民主起舞？本片獲選 2014 威尼斯影展開幕片，虛構(gòu)而映照現(xiàn) 實。人道主義至上，刀刀見骨卻毫不煽情。

簡介：很多少女都失蹤了，三毛的妹妹也失蹤了。為救妹妹他重出江湖到馬尼拉。鐵板慶子帶著警方的任務也來到馬尼拉尋找失蹤的女孩。黑幫頭子馬上風和械子頭的矛盾內(nèi)部的殘殺。三毛找到妹妹時她躺在浴血中，鮮血……

簡介：二十多年前，臺灣辦桌界有三大傳奇總鋪師稱霸北、中、南，分別為憨人師、鬼頭師與蒼蠅師，鄉(xiāng)民們尊稱為“人、鬼、神”三霸。隨著時代變動，辦桌文化終于逐漸式微，人鬼神凋零。蒼蠅師想將家傳手藝交給獨生女詹小婉，誰知小婉只想當明星，美美的出現(xiàn)在螢光幕前。但一心想逃離油煙血水的小婉，卻被迫面對巨大的挑戰(zhàn)和使命。

簡介：布魯斯·威利斯將出演動作驚悚片[反應堆](Reactor，暫譯)。賈瑞德·科恩([環(huán)大西洋])執(zhí)導，賈瑞德與卡姆·坎農(nóng)([印第安納波利斯號：勇者無懼])、蒂芬·賽勒斯·沙斐([雙面劫匪])共同操刀劇本。威利斯飾演一幫雇傭軍的領(lǐng)導，他渴望復仇的心讓他去劫持了一座核電站。

簡介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.