簡介：夜深人靜，白日的束縛悄然褪去，是時候迎接真實的自己。在這里，我們?yōu)槟鷾蕚淞艘粓龈泄俚臉O致盛宴。每一次心跳，都是對寂寞長夜最有力的回擊。探索未知，體驗前所未有的私密與刺激。別再壓抑，點擊開啟屬于你的午夜狂歡。

簡介：Jasmine, a young teenage girl on the run, is taken in by Shane, a showman who works on a travelling fairground passing through town. As an unorthodox bond between the pair builds, their combined quest to evade the past pushes both characters closer together, and in turn, closer to danger.

簡介：影片主角是艾薇的妹妹凡歐莉（潔米普萊絲莉 飾），心懷不軌的她，前去拜訪好朋友喬絲的家，為了報復11年前的一次背叛，凡歐莉開始利用美色與手段，有計劃的誘惑喬絲的父親與男朋友……不久后，喬絲整個家都陷入了恐慌與騙局之中，凡歐莉的復仇計劃，釀成了致命的后果！

簡介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

簡介：30年代，年輕的爵士樂號手來到棉花俱樂部演奏。他的音樂吸引著人們，但他卻身不由己地陷入了幫會組織的交易和背叛之中。

簡介：姬絲汀為了慶祝男朋友泰勒30歲生日，決定帶他及另外兩對情侶，玩時下流行的「密室逃脫」游戲。玩家會被鎖在一間密室里，透過房內線索限時一小時解謎并找到逃出方法。一開始大家都興致勃勃，但當時間流逝，難度提高，玩家一個接一接地死去，始發(fā)現(xiàn)他們一直玩的不是游戲，而是命！

簡介：本片以當年張子強驚天大案為背景，真實的反應了張子強的犯案過程。張家豪是個有極高智慧的悍匪，他接連策劃了多宗金鋪劫案、富豪綁架案，警方雖明知是他所為，但卻苦無證據(jù)。很多富豪被張綁架，但都有所忌諱，選擇了交納巨款贖金，一時間連警方也無可奈何。終于有一次，張的拍檔葉世官失手被捕。兇狠狡猾的張竟想綁架政務司長鐘方安心以交換人質

簡介：

動畫《斗羅大陸》劇場版正在籌備中，巔峰之戰(zhàn)即將到來，屬于唐三的終極之戰(zhàn)你們都期待了嗎？海神歸位對決雙神，一起靜待吧！

簡介：

杰克（加布里埃爾·伯恩 Gabriel Byrne 飾）是一名漫畫家，卻因為行差踏錯而被關進了監(jiān)獄。在鐵窗后，杰克依靠著畫漫畫來派遣內心的痛苦，他創(chuàng)作了名為《冷酷世界》的連環(huán)畫，并且在連環(huán)畫里設置了一個名為霍利（金·貝辛格 Kim Basinger 飾）的反派女性角色。哪知道故事里的霍利竟然利用杰克來到了現(xiàn)實世界，而漫畫里的另一個人物偵探弗蘭克（布拉德·皮特 Brad Pitt 飾）則警告杰克一定不能受到霍利的誘惑愛上她，否則，現(xiàn)實和漫畫這兩個世界都將毀滅。

簡介：

數(shù)十年來，維克多和萊雅·弗侖克爾都是蘇聯(lián)電影配音的黃金搭檔。所有進入蘇聯(lián)銀幕的西方電影都是由他們配音的。1990年，隨著蘇聯(lián)的解體，就像成千上萬的蘇聯(lián)猶太人一樣，弗倫克爾一家決定移居以色列。然而以色列不需要會說俄語的配音藝術家。在以色列的頭幾個月里，維克多和萊雅試圖找到可以施展才華的工作，但沒想到引發(fā)了一些意想不到的事件，并把他們人生新篇章的開始變成了一段有趣、痛苦和荒謬的經歷。

簡介：腳踏實地的野生動物生物學家梅根·亨利（Megan Henry）正在開展一個促進非洲野生動物保護的項目，他被迫與主題公園設計師蒂姆·埃里克森（Tim Ericson）合作，后者希望創(chuàng)建一個頂級的野生動物園景點。

簡介：池探長發(fā)現(xiàn)了一具尸體，死因非常離奇，身上有五種不同的致命傷。經過偵查，死者趙秉程某曾與五個好友聚餐，席間，趙某曾向其他人閑聊一個話題：如果讓你們殺了我，你們會用什么手法？眾人只當是一個玩笑，沒想到幾天后，趙某尸體就在家中被人發(fā)現(xiàn)，曾經眾人提過的殺人手段一一應驗在尸體上。每個人都成為了嫌疑人，池探長在偵破過程中將每個人與死者扯不清的關系層層抽絲剝繭，斷定只要查出趙某最先死于哪一種殺人手法，那么兇手的真面目就會被揭開。