A frank and generous portrait of the folk legend and activist with the incredible voice who, at the age of 82, continues to fight the good fight. A visual diary from a cultural icon. 　　In a sun-drenched cabin in Woodside, California, the directors meet the now 82-year-old Joan Baez. She is one of the 20th century’s greatest folk singers and activist voices, and in the autumn of h...

First-time director/drummer from Australia, Alan Hicks, convinced his surfing mate and cinematographer, Adam Hart, to travel to the U.S. to follow and film 89-year-old jazz legend, Clark Terry (Quincy Jones's first teacher) over four years - to document an unlikely mentorship between Terry and a driven, blind piano prodigy, Justin Kauflin, 23. Clark, now 93, mentored Miles Davi...

本片講述從伊麗莎白女王的父親喬治六世去世，到威廉王子和凱特·米德爾頓的婚禮，其中很詳細(xì)地介紹了女王在戴安娜與英國皇室的關(guān)系維系中所做的努力。這是關(guān)于年輕的公主如何成長為偉大的女王的真實故事。

A cinematic concert film immortalising last summer’s historic show, which sold out in under two minutes, and saw blur perform their iconic and much-loved songs for 150,000 fans in a transcendent, once-in-a-generation performance that delivered a sweep of ecstatic 5* reviews. Both films are directed by Toby L and produced by Josh Connolly, via production house Up The Game, who p...

在這部紀(jì)錄片中，導(dǎo)演以個人家庭的經(jīng)歷為切入點，深刻剖析了美國食品藥品管理局和制藥行業(yè)的諸多道德問題。

Follows the witty and tenacious team of filmmakers behind Disneynature's Penguins (2019), a coming-of-age story about an Adélie penguin named Steve.

在1962年10月至11月的對印自衛(wèi)反擊戰(zhàn)中，中國軍隊不但擊斃了印度第62旅旅長辛格準(zhǔn)將以下4885人，還俘虜了印度第7旅旅長達(dá)爾維準(zhǔn)將以下3000多人。對于這些被俘虜?shù)挠《葢?zhàn)俘中國制定了 　　“不殺，不打，不罵，不侮辱，不捆綁，不搜身”的“六不”紀(jì)律。在開戰(zhàn)之前，印度方面將中國軍人描繪得——如同日軍一樣，抓住就要砍頭活埋。 　　中國方面對印度戰(zhàn)俘無微不至的照顧，讓印度被俘軍人深受感動。許多人主動站出來，幫我軍喊話勸降，主動告訴戰(zhàn)友的下落。在當(dāng)時被俘的印度戰(zhàn)俘中 　　有來自12個民族，5種宗教信仰的士兵摻雜其中。 　　即便在戰(zhàn)俘營里印度籍戰(zhàn)俘對尼泊爾和巴基斯坦籍戰(zhàn)俘經(jīng)常欺負(fù)，甚至拳打腳踢，最終——不得不將這些不同民族的印度被俘士兵分開編隊管理。

在美國，警察被賦予了控制人們個人生活的非凡權(quán)力。警察決定誰是可疑的，誰“符合描述”。他們定義威脅，并決定如何應(yīng)對。他們要求人們服從，并附帶不斷的暴力威脅。真實的和可感知的犯罪行為以及對社會秩序的威脅均由警方制定，成千上萬這樣的互動每天在大城小鎮(zhèn)中上演。警察使國家的抽象權(quán)力變得具體。
　　《權(quán)力背后》追溯了金錢的積累，政治權(quán)力的鞏固，以及幾乎不受限制的兩黨支持，正是這些支持創(chuàng)建了我們所知的警察制度。從 18 世紀(jì)的奴隸巡邏，到 19 世紀(jì)第一個公共資助的警察部門，再到 20 世紀(jì) 60 年代和 20 世紀(jì) 20 年代的起義，這部電影提供了一段直擊內(nèi)心的沉浸式旅程，展示了歷史的演進(jìn)歷程。
　　部分文章，部分采訪，部分檔案拼貼，《權(quán)力背后》用歷史材料來闡述我們當(dāng)下的現(xiàn)實，并探討與不斷增長而且在很大程度上未受到限制的權(quán)威有關(guān)的緊迫問題：誰被監(jiān)管，誰被保護(hù)，誰來決定，以及理由為何。

Cars! Film! Cars on film! Film involving cars! You get the idea. It's basically a DVD involving those two things. 　　Gasp as we find the perfect drift car for a gritty, Bourne Identity-style chase! Cheer as we stage a race for all those unsung heroes of the movie industry! Whoop as we find the car that makes the perfect dramatic exhaust note to dub onto an action sequence! Make so...

A short about what happens under and around us. A chipmunk and a small mouse go on an adventure; they grow and learn about life and its obstacles.