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丹頂鶴
9.0 |2025年09月06日 |HD
簡(jiǎn)介:
故事圍繞離家出走的女孩楊雪和中年男子李天揚(yáng)展開(kāi)。講述了兩個(gè)因各自不同家庭背景和生活經(jīng)歷留下心理傷痛和困擾的主人公,互相幫助和鼓勵(lì),最終楊雪意識(shí)到家庭的溫暖,李天揚(yáng)也重拾對(duì)家庭的信心與責(zé)任。
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現(xiàn)代灰姑娘
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3.0
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現(xiàn)代灰姑娘
3.0
更新時(shí)間:2025年09月16日
主演:安娜貝絲·吉什,朱莉婭·羅伯茨,莉莉·泰勒,文森特·多諾費(fèi)奧,威廉姆·R·莫塞斯,亞當(dāng)·斯托克,康查塔·費(fèi)雷爾,喬安娜·梅林
簡(jiǎn)介:

  黛西(朱莉婭·羅伯茨 Julia Roberts 飾)一直希望能夠通過(guò)婚姻來(lái)改變自己生活的境遇,哪知道金龜婿不是那么好釣的,在夢(mèng)想成真之前,她必須學(xué)會(huì)躲避種種陷阱。凱特(安娜貝絲·吉什 Annabeth Gish 飾)過(guò)著自食其力的生活,為了賺錢(qián)做著臨時(shí)保姆的兼職,哪知道竟然在誤打誤撞之中愛(ài)上了男主人。嬌嬌(莉莉·泰勒 Lili Taylor 飾)想要充分享受戀愛(ài)里的甜蜜和幸福,卻不愿意承擔(dān)婚姻所帶來(lái)的重負(fù)和責(zé)任,這讓嬌嬌的男友十分苦惱,他一心想要和嬌嬌攜手步入婚姻的殿堂。
  這三個(gè)性格迥異的女孩聚集在神奇披薩屋內(nèi),成為了那里的女服務(wù)生。在探索人生道路的途中她們互相作伴,互相開(kāi)解,并且最終都尋找到了生命中真正重要的東西。

537
1988
現(xiàn)代灰姑娘
主演:安娜貝絲·吉什,朱莉婭·羅伯茨,莉莉·泰勒,文森特·多諾費(fèi)奧,威廉姆·R·莫塞斯,亞當(dāng)·斯托克,康查塔·費(fèi)雷爾,喬安娜·梅林
不安分的年輕人們
763
6.0
已完結(jié)
不安分的年輕人們
6.0
更新時(shí)間:2025年09月06日
主演:帕斯卡爾·普緹,安德麗·帕里西,雅克·夏里爾,洛朗·特茲弗,讓-保羅·貝爾蒙多,達(dá)妮·薩瓦爾
簡(jiǎn)介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as Fran?ois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma fran?ais in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
5430
1958
不安分的年輕人們
主演:帕斯卡爾·普緹,安德麗·帕里西,雅克·夏里爾,洛朗·特茲弗,讓-保羅·貝爾蒙多,達(dá)妮·薩瓦爾
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