張盼懷揣著對(duì)城市生活的憧憬，從一個(gè)三線(xiàn)城市只身來(lái)到北京闖蕩，找不到好的工作，就從最底層的保姆干起，然而在房東一次次催繳房租的電話(huà)中，張娜感到了前所未有的絕望。望著自己這個(gè)不足二十平米的地下室，她留下了眼淚，決定踏上另一條路。家里的弟弟來(lái)投奔她，透過(guò)那道門(mén)縫，他看到了姐姐在北京生存的技能……

玉蒲團(tuán)（1986）與足本玉蒲團(tuán)（浮世風(fēng)情繪）1987并不是同一部電影。講述了香港先生阿Paul（車(chē)保羅飾）在深山古寺里拜訪了高僧（關(guān)海山飾）之后經(jīng)歷一連串艷遇又回到古寺悔過(guò)的故事。本片據(jù)主演車(chē)保羅透露是由倉(cāng)田保昭介紹去日本拍功夫片卻不想被騙而拍成了情色片。

The first feature film from accomplished short filmmaker Kate Shenton, On Tender Hooks is a documentary film delving into the world of human suspension and the people involved. Kate spends a year following a different people and group of suspenders. Every Sunday they pierce themselves with hooks and hang in mid-air from rigs in a display that challenges the perceptions and squeamishness of even the most hardened. The film is a fly on the wall documentary showing how the ordinary human body can achieve extraordinary things. Beginning with groups in London, and then following events in Rico, Croatia and Oslo, Norway, the film depicts a wide variety of experience and opinions, and delves thoughtfully into a deeply misunderstood practice On Tender Hooks was a self-funded project filmed and edited by director Kate Shenton. Completed in 2012 it is an example of independent film-making at its purest. Written by Kate Shenton

Giulio, a teenage boy lives with his father. He is in love with his mother, Agnese because her hands were the first to welcome him. He reminds the last weekend they spent together. She takes care but doesn't love, she's lost in her thoughts and doesn't let anyone get closer, not even him. Two days to understand each other, two days to love each other, and to leave in the end. At her funeral, he steals the hearse and drives away.

香港獨(dú)立導(dǎo)演云翔繼《愛(ài)很爛》后的最新作品?！队巍肥窃葡璧挠忠徊科磮D式長(zhǎng)片，包括5長(zhǎng)2短7個(gè)故事。云翔第一次采用全英語(yǔ)對(duì)白，在馬來(lái)西亞、荷蘭、德國(guó)、澳大利亞、中國(guó)等八個(gè)國(guó)家取景，穿越異性戀和同性戀話(huà)題，主角有朱曉輝、彭冠期等人?！騋AF

《下流的海女》線(xiàn)上看,《下流的海女》免費(fèi)在線(xiàn)觀看,由藤浦敦執(zhí)導(dǎo),吉田羊,中島葵,谷奈緒美領(lǐng)銜主演,這裡是靜靜佇立的漁村。禮子在這個(gè)村子裡，白天是海女，晚上則是和小料理店的女傭過(guò)著忙碌的每一天。禮子的夫健一出去捕魚(yú)，今天是從捕魚(yú)回來(lái)的日子，禮子從早上開(kāi)始就忐忑不安。但是，從捕魚(yú)回來(lái)的健一，和朋友圭介

一群人相約帶三位模特兒，到溪邊拍攝人體，模特兒小詩(shī)尿急救在一古墓前解決，并撿到一枚古錢(qián)，原來(lái)這古錢(qián)是一位殭尸崔鳳梧所有，因小詩(shī)的尿而酒醒了，在小詩(shī)被性侵時(shí)更救了她，小詩(shī)和另外二位女友為了求得大家樂(lè)的明牌，找上崔鳳梧，而他告訴她們，可以帶她們"大家爽"......

《旺角馬場(chǎng)》是向立行執(zhí)導(dǎo)的動(dòng)作片。講述了一增群由外地到香港為賺快錢(qián)駕而賣(mài)淫的女子，在怕被警方捉到及恐怕沒(méi)有足夠的收入還給予賣(mài)淫集團(tuán)的情況下，于是在香港的紅燈區(qū)旺角的賓館開(kāi)始她們的皮肉生涯的故事。

素云和丈夫結(jié)婚四年一直無(wú)法懷孕，雖然賢良淑德，但還是受到了婆婆的冷遇?？粗?chē)教幎际菓言械呐?，丈夫的心里也很不好過(guò)，不知到底是誰(shuí)的問(wèn)題。 素云的婆婆抱孫心切，一邊埋怨一邊開(kāi)始了自己的盤(pán)算。趁著回鄉(xiāng)探親，素云的婆婆看到了親戚的女兒，一個(gè)主意在她心中醞釀成形…… 婆婆歸家，帶了一個(gè)陌生的女子，素云…

根據(jù)意大利知名作家切薩雷·帕韋澤（Cesare Pavese）的著作改編。20世紀(jì)30年代末，17 歲的吉妮婭（Ginia）在邁向成年的神秘旅程中經(jīng)歷了狂喜和動(dòng)蕩。與小鎮(zhèn)的“知名”女性阿梅莉亞（Amelia）的相遇讓她發(fā)現(xiàn)了新的自我——她不得不面對(duì)一種令她自己也感到震驚不已的、全新的情感，似乎只有承認(rèn)這份情感，她才能成為一個(gè)更“完整”的自己。