簡(jiǎn)介：夜深人靜，白日的束縛悄然褪去，是時(shí)候迎接真實(shí)的自己。在這里，我們?yōu)槟鷾?zhǔn)備了一場(chǎng)感官的極致盛宴。每一次心跳，都是對(duì)寂寞長(zhǎng)夜最有力的回?fù)簟Ｌ剿魑粗?，體驗(yàn)前所未有的私密與刺激。別再壓抑，點(diǎn)擊開啟屬于你的午夜狂歡。

簡(jiǎn)介：

瑪努埃拉（絲莉亞 洛芙 飾）的丈夫在兒子出生前就離開了妻子，瑪努埃拉成為了單身媽媽，帶著兒子埃斯特班來到馬德里生活。兒子從不知道爸爸的事情，瑪努埃拉只好對(duì)兒子說父親已經(jīng)過世。然而，兒子終究不相信。他在日記本里悄悄寫下對(duì)父親的想念。 車禍來得那么突然，兒子被一輛迎面撞來的汽車奪走了生命。母親悲傷不已，決定去找孩子的父親洛拉，完成兒子心愿。然而她卻得知，洛拉已經(jīng)換裝成女人，當(dāng)了妓女，而且染上了艾滋病。更不幸的是，修女羅薩（佩內(nèi)洛普 飾）懷上了洛拉的孩子?，斉＠粼诹_薩身邊照顧她，羅薩誕下的嬰兒也取自己兒子埃斯特班的名字，苦難的日子終于有了希望--這個(gè)新生兒竟然逃過了艾滋的噩運(yùn)。

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ACE是一個(gè)普通學(xué)校的新生，就像任何其他的新同學(xué)一樣。直到他96歲的祖父去世，留給ACE一只狗讓他照顧。ACE很快發(fā)現(xiàn)，這是一只會(huì)同他說英文的吸血鬼狗狗。瘋狂的科學(xué)家沃霍爾博士和她裝模作樣的助手弗蘭克。嘗試捕捉吸血鬼狗狗，竊取他的DNA，開發(fā)最新的抗衰老技術(shù)。 　　ACE必須保護(hù)爺爺留下的狗狗，并和它成為了最好的朋友。

簡(jiǎn)介：故事講述馬庫斯的妻子在一場(chǎng)悲劇的火車事故中身亡，馬庫斯要趕回家陪女兒瑪?shù)贍柕隆＿@場(chǎng)事故似乎是一場(chǎng)意外，但一位數(shù)學(xué)極客，也是火車中的一位乘客，與他的兩個(gè)同事現(xiàn)身，說出他們確信這場(chǎng)事故背后另有隱情。

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　　The movie concerns about Trinity(Terence Hill=Mario Girotti)a roguish and cocky gunman with fast weapon who works as bounty hunter.His brother Bambino(Bud Spencer)is sheriff in a village but is also an undercover thief which attempts execute a heist.
　　The'll face off against a rich owner(Farley Granger) and a Mexican marauders who try evict to a Mormons group. They help to the pacific settles and the confrontation will be inevitable but is developed by means of successive fights without blood,neither gore or cruel murders.The violence isn't crude but slight and predominates the comedy and parody. The storyline is embarrassment and ridiculous but has its agreeable moments here and there.It's a spaghetti western with humor and narrates the usual issues:invincible antiheroes,spectacular showdown ,violent taking on but united to slapstick and simple humor.It's an entertained Italian western with adequate runtime where there are irony,tongue in check,shoot outs,numerous struggles and is quite funny and amused. Terence Hill is sympathetic,hilarious and likable; Bud Spencer is rough, two fisted,bouncing ,grumpy man but with good heart,their characters are similar to Stan Laurel and Oliver Hardy.The film is a spoof of famous films as ¨the magnificent seven¨ and ¨blazed saddles ¨but covered with spaghetti.The picture obtained a sequel with the same protagonists and director¨Trinity is still my name¨.Besides originated a series of awful imitations and copies. Rating:nice and bemused.

簡(jiǎn)介：The direction of The Sleeping Tiger was credited to Victor Hanbury, but this was actually a pseudonym for the blacklisted Joseph Losey, whose first British film this was. Alexander Knox stars as psychiatrist Clive Esmond, who believes that he can stem the criminal tendencies of young fugitive from justice Frank Clements (Dirk Bogarde). To this end, Esmond hides Clements in his own home. At first hostile towards the handsome crook, Esmond's wife Glenda (Alexis Smith) gradually warms up to her house guest, and before long she and Clements are casting lustful glances at one another. She intends to run off with Clements and make a new life for herself, when suddenly he decides that he actually wants to reform. If nothing else, The Sleeping Tiger is a fascinating precursor to the sexual tensions prevalent in Losey's later Harold Pinter adaptations. ~ Hal Erickson, Rovi

簡(jiǎn)介：故事發(fā)生在丹麥一個(gè)宗教氛圍極濃的村子里，農(nóng)夫波根有三個(gè)兒子，大兒子對(duì)宗教持懷疑態(tài)度，性情叛逆；小兒子居然與不同信仰的女孩談戀愛，而影片的主角、三兄弟中的老二相信自己就是耶穌，被大家當(dāng)成瘋子，因?yàn)楸緛碜x神學(xué)的他在經(jīng)歷未婚妻離世后打擊太大而成瘋癲；但有一天老二開始“顯靈”，讓死人復(fù)活，自己的神智也開始恢復(fù)。

簡(jiǎn)介：黑洞第三行星的人對(duì)機(jī)械哥吉拉進(jìn)行改良，并且拉攏一位天才科學(xué)家真船信三博士，控制恐龍型怪獸泰坦龍來一起毀滅地球，國際刑警組織和哥吉拉將如何對(duì)付這個(gè)強(qiáng)大的邪惡軍團(tuán)？

簡(jiǎn)介：一部結(jié)合了羅密歐與朱麗葉、邦尼與克萊德元素的愛情罪案驚悚片。Seven（Zovatto飾）是一名高端毒販，Maddie（Turner飾）是他的摯愛，他的生活圍繞著富二代客戶，模特派對(duì)和充斥著毒品的冒險(xiǎn)。他們美好的生活被他兒時(shí)好友Dave（Darrell Britt-Gibson飾）的出現(xiàn)打斷了，他在一次不可靠的交易中尋求幫助，由此引發(fā)了一系列事故，每個(gè)人都難辭其咎。

簡(jiǎn)介：本劇講述四個(gè)懷抱謊言的青年男女交織的愛情喜?。号鹘鞘潜唤煌?0年的男友欺騙而解除婚約的葛西莉子（本田翼 飾）。為了尋找能讓自己幸福的人，她從青森來到東京，借住在魅力商店店員表妹筱原友里（山本舞香 飾）的家中。為了認(rèn)識(shí)新男生而拜托表妹帶她去銀座的搭訕點(diǎn)，在那里遇到了犬系男子泉晴彥（神尾楓珠 飾），和在大型商社工作、自稱是都市男人的鴨下淳之介（町田啟太 飾）。 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?兩人在搭訕過程中遭遇了最糟糕的邂逅，為了尋找新的邂逅，她們參加了“在線狼人游戲”?？墒?，出現(xiàn)在眼前的，又是淳之介和泉晴彥......

簡(jiǎn)介：A group of frustrated waiters at a kitschy steakhouse take over their restaurant for one final, glorious, revenge-filled night when they discover they are all about to be fired.

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　　Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.