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簡介：Krishna來自一個傳統(tǒng)的大家庭，媽媽在家中十分權(quán)威。他在工作的地方愛上了自己的上司Vrinda。Vrinda因為疾病無法生育，于是在答應(yīng)求婚前讓Krishna將這個情況告訴他的母親等家人以避免日后的煩惱?？墒荎rishna因為媽媽當時特別想要孫女只好撒謊自己沒有生育能力，設(shè)計了一系列謊言后終于和Vrinda結(jié)婚。然而謊言的終究是有代價的

簡介：咪咪屢屢在女孩團體里沖突闖禍，樂可卻總困惑于自己能夠愛誰。即將迎來一場大賽的艾瑪苦練多年滑冰，卻始終無法克服最難的招式。在即將到來的三個禮拜中，三人仿佛經(jīng)歷一場場搖晃又旋轉(zhuǎn)的時光。做愛與戀愛、相聚或分離、交心或冷戰(zhàn)，不間斷地演練與挫折，宛如踩進一個不時短路的青春循環(huán)?！　》姨m導(dǎo)演艾莉．哈帕塞洛以周記式的敘事結(jié)構(gòu)，探究女孩成長過程中，時而直率、時而反復(fù)不安的情感特色，直接卻不帶批判。透過靈動的攝影與樂曲，將少女獨有的親密和芥蒂描摹得淋漓盡致。三個年輕演員各有鮮明個性，幽微投射欲望、親子與人際難題，一次次將觀眾拋向點餐臺、溜冰場、派對舞池，與城市的寂寥黑夜。隨著影片起舞，仿似也重新回味了青春時代的溫度和或許未完成的人生軌跡?！　est friends Mimmi and R?nkk? want to live adventurous lives, loaded with experiences and passion. Emma, on the contrary, has given her whole life to figure skating. Nothing gets between her and success. But when the girls meet, life opens whole new paths, and they all rocket in new directions. While Mimmi and Emma experience the earth moving effects of first love, R?nkk? is on a quest to find pleasure. Three Fridays is all it takes to turn their worlds upside down.　　It kind of became my mission to depict girls in a much more complex and realistic way than we are used to seeing in cinema. And to create a film where girls are valued as exactly who they are. – Alli Haapasalo

簡介：本片講述一個12歲的完美主義女孩發(fā)現(xiàn)了一個奇怪的蛋，她把蛋藏起來不讓苛刻的母親看到。而當?shù)胺趸瘯r，一個像鳥一樣的生物出現(xiàn)了。

簡介：Things take a turn as dramatic events unfold after a crime was committed in a village and as the culprit is sought after.

簡介：Remake of 2019 Telugu film Jersey.

簡介：詹尼是一個連環(huán)的誘惑者，但他的生活注定要改變，當他遇到基婭拉，一個美麗的女人誰發(fā)生了事故，是截癱。

簡介：伊萬出發(fā)前往敘利亞執(zhí)行危險任務(wù)，拯救被極端組織俘虜?shù)那爸笓]官格雷，在美軍巡邏隊的幫助下，他成功解救了格雷，并在被恐怖分子追捕的同時試圖逃離該國

簡介：從關(guān)塔那摩監(jiān)獄中解救兒子穆拉特的斗爭，使土耳其家庭主婦拉比耶·庫爾納茲自不來梅的排屋直接進入了世界政治舞臺。訴訟一直打到位于華盛頓的聯(lián)邦最高法院。在她身邊的是人權(quán)律師伯恩哈德·多克。這位矜持、平和的律師和脾氣暴躁卻富有幽默感的土耳其母親現(xiàn)在正并肩作戰(zhàn)，爭取讓穆拉特獲釋。

簡介：伊歐最初是待在一支巡回表演的馬戲團，那是它從小到大唯一的歸屬，后來它被迫離開，跋涉在波蘭和意大利交界的鄉(xiāng)間時又逃走，既遭受到殘酷的狀況，也遭遇到溫暖的情況，而在這一路當中，它觀察到人性的愚蠢和勝利。在伊歐的旅途中，它同時受到各種人物的幫助和阻礙，包括年輕的意大利牧師 (洛倫佐·祖佐洛 飾) 、女伯爵 (伊莎貝爾·于佩爾 飾) 及喧鬧的波蘭足球隊等。

簡介：露西亞娜曾為一位著名小說家工作，她確信家人的悲慘死亡由此人一手策劃，于是求助一名記者揭露事情的真相。

簡介：影片劇本由亞歷杭德羅·岡薩雷斯·伊納里圖與長期合作伙伴尼古拉斯·迦科波恩聯(lián)合撰寫，故事主角是一位著名的墨西哥記者、紀錄片制片人，多年之后，他回到祖國，試著真正面對他的身份、家庭關(guān)系、愚蠢的個人回憶，以及墨西哥的過往和現(xiàn)狀。

簡介：為了躲避黑幫老大的威脅，幾名笨手笨腳的小弟聯(lián)合起來決定跟隨攜款而逃的好友去尋找一個隱藏的寶藏。他們來到了目的地，然而到了夜晚才發(fā)現(xiàn)原來那里是一個鬼城。

簡介：這部姬情恐怖喜劇是一個關(guān)于依賴共生關(guān)系的寓言：瑪雅曾經(jīng)是一個演員，現(xiàn)在靠在當?shù)刭徫镏行暮蛨D書館重演她以前的一個角色為生。一天，她與來自倫敦的猶太裔年輕學(xué)者莉亞一見鐘情。當莉亞突然患上癲癇、身體越發(fā)衰弱，瑪雅決定跟隨女友回到倫敦。莉亞的母親查娜剛好住在她們樓下，她是一個霸道而神秘的女人，瑪雅試圖和她搞好關(guān)系，但不見成效。隨著瑪雅注意到樓里出現(xiàn)的奇怪現(xiàn)象，她懷疑查娜的秘密可能比預(yù)想的要黑暗得多——而她最愛的莉亞可能正背負著最大的秘密。

簡介：當一位丹麥廚師前往托斯卡納出售他父親的生意時，他遇到了一位當?shù)貗D女，她激勵他重新思考他對生活和愛情的態(tài)度。

簡介：In a tragic accident, Kathiravan loses his wife and his left leg. A few years later he decides to get a prosthetic leg with the compensation amount. Kathiravan's life gets more complicated when his daughter Magizh gets hospitalized.

簡介：導(dǎo)演馬可·伯格的第八部電影長片《Los Agitadores》現(xiàn)已殺青?！　　斑@部電影處理了一種在西方非常常見的現(xiàn)象，它是一種恐同和男性情色的混合。比如說那些足球運動員之間，他們常常赤裸相見，互相打鬧并發(fā)生肢體接觸，這是一個很愉快并曖昧的場景，但同時他們也處在一個很恐同的環(huán)境。我的新片講的就是在這種同性色情和恐同情緒交織的特殊環(huán)境下所產(chǎn)生的暴力。這部電影叫Horse Play，將在2022年上映?！?北同文化采訪)

簡介：故事翻拍自阿根廷電影《4x4》，一個小偷打開了一輛停在路邊的車并打算偷走車內(nèi)值錢的東西，當小偷打算離開時卻發(fā)現(xiàn)無論如何都打不開車門，原來這輛車本身就是一個陷阱

簡介：A woman gets an opportunity to save the life of a 12-year old boy who witnessed a death during a thunderstorm which happened 25 years ago, by getting connected through the television set during a similar storm in the present

簡介：1877年圣誕節(jié)，奧地利萬人敬仰的茜茜公主迎來了她40歲的生日。雖然貴為奧地利與匈牙利的皇后和弗朗茨·約瑟夫一世皇帝的妻子，她卻沒有表達自我的權(quán)利，只需保持美麗和年輕的狀態(tài)即可。為了滿足人們的這些期待，她一直在嚴格地節(jié)食、健身、美發(fā)、每日測量腰圍。這些規(guī)則令她感到窒息，她渴望知識和生活，不愿只做一個美麗的花瓶，因此開始越來越頻繁地打破這個形象。

簡介：Carla è incinta e nuda, imitando le pose che sua madre assumeva quando era incinta di Carla. La luce del sole filtra dalle finestre. Si vedono immagini in Super-8 di madri e padri, nonne e nonni, che sorridono, cuciono, recitano poesie. Poi, una giovane ragazza viaggia dagli anni Sessanta agli anni Ottanta, fino a oggi, attraversando le soglie della femminilità e della storia, fino all’incontro con Carla in riva al mare azzurro della Catalogna e con Manel, il figlio di Carla appena nato.

簡介：小儒 (查雅妮 飾)在藝術(shù)家父親過世后繼承了兩幅毀損的女子畫像，她找來藝術(shù)品修復(fù)師提姆(尼坤 飾)修復(fù)這兩幅作品，以便轉(zhuǎn)售賺取醫(yī)治女兒眼疾的費用。修復(fù)過程中，陸續(xù)發(fā)生一樁樁無法解釋的恐懼事件，宛如解開了封印在畫作中的駭人秘密…小儒開始惡夢連連產(chǎn)生幻覺、女兒出現(xiàn)一些令人不寒而栗的異常行為、威脅生命的意外更不斷發(fā)生…究竟畫中隱藏著甚么恐怖秘密？畫中女子到底是誰？她有甚么樣的冤情與怨？視而不見真的能全身而退？

簡介：痛失至親后，一家人搬到了城里，30年后，大家在故鄉(xiāng)重聚，而埋藏的感情和痛苦的秘密也重新浮現(xiàn)

簡介：High school intrigues and pulsating eroticism at a boarding school where it’s straight to be queer, in a stylistically impeccable film adaptation of Kristofer Folkhammar’s successful novel.　　The school year at St. Sebastian has just started and a group of friends expectantly drop into the school area that is exclusively populated by queer guys. The much-desired Charles enters into secret sexual power games orchestrated by the strict school master, who is tortured by memories from a time long before the erotic acceptance that prevails at the boarding school. When the competition for admissions to the prestigious singing event harden, friendships crack and the utopian existence begins to fall apart piece by piece. Based on Kristofer Folkhammar’s novel of the same name, inspired by high school films and gay porn, The Schoolmaster Games illustrates a world where sexuality is free, but power games simmer beneath the surface.

簡介：When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.　　With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.