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簡(jiǎn)介：Growing up is tough on Berlin’s Gropiusstadt housing estate. No one can avoid the drugs and the fights. The summer is tedious, money is urgently needed, a theft goes wrong. No frills, just like Felix Lobrecht’s source novel.

簡(jiǎn)介：To withstand the psychological torture of the Gestapo, a lawyer imprisoned by the Nazis rescues himself in the world of chess.

簡(jiǎn)介：建筑工程師邁克爾打算帶著十四年都未曾聯(lián)系的兒子路易斯去挪威參加父親的葬禮。二人因此有了一段從未有過的獨(dú)處時(shí)光，邁克爾也想借此機(jī)會(huì)彌補(bǔ)自己作為父親缺席的十四年。然而，無(wú)論邁克爾怎樣試圖和兒子溝通都無(wú)法得到積極的回應(yīng)，二人之間仿佛有著一堵無(wú)法逾越的心墻。盡管這一路上遇到的種種麻煩讓路易斯一直埋怨父親的粗心大意，邁克爾依然希望能夠推翻彼此間的隔閡。

簡(jiǎn)介：影片講述的是關(guān)于警察特別行動(dòng)組的故事，樂天派組長(zhǎng)賈普和他的組員每天都面對(duì)著各種各樣的危險(xiǎn)，但是他們心中充滿了勇氣、智慧和決心。他們的職責(zé)是處理科隆這個(gè)城市中的所有突發(fā)事件。不管遇到什么事件，賈普和他的小組都是最值得信任的人。他們用自己的勇敢和機(jī)智一次次化險(xiǎn)為夷。@神馬影院

簡(jiǎn)介：菲利克斯 · 克魯爾(Jannis Niewhner 飾)是一個(gè)來自中產(chǎn)階級(jí)家庭的有魅力的年輕人，他從小就完善了自己的轉(zhuǎn)型技能和角色扮演游戲。經(jīng)過幾次命運(yùn)的打擊，他有機(jī)會(huì)在巴黎一家豪華酒店當(dāng)電梯男孩，他毫不猶豫地拋棄了過去的生活。在酒店里，菲利克斯熟練地適應(yīng)了各種環(huán)境，很快就升到了領(lǐng)班服務(wù)員的位置，尤其是讓女客人們抓狂。當(dāng)他們遇到年輕，不幸的愛情路易斯 · 德 · 維諾斯塔侯爵(大衛(wèi) · 克羅斯飾) ，兩人想出了交換他們的身份，以使侯爵生活在一起的精神和揭示扎扎(麗莎弗萊斯飾)。對(duì)于菲利克斯來說，這意味著他的摯愛扎扎被另一個(gè)男人奪走，但他對(duì)變革和社會(huì)進(jìn)步的渴望卻無(wú)法滿足。魅力和欺騙人們的能力最終把他帶到了里斯本的皇家宮廷，在那里他可以以一個(gè)騙子的身份傳遞他的杰作。

簡(jiǎn)介：Anna is 60 and her acting heyday is now behind her. She lives on her own but has a friend and confidant in her downstairs neighbour Michel, who is also single. Reluctantly, Anna accepts a job as a language coach for 17-year-old Adrian who has a speech impediment and is something of a misfit. She recognises him as the boy who recently snatched her handbag in the street ... “Irresistible” is the term that springs to mind when describing this light-footed and humorous story of an impossible love affair between a thief and a lady. Director Nicolette Krebitz handles the fragile balance between the dictates of society and the heart with great care. The fresh breath of freedom blows through a narrative that makes room for a nod to old West Berlin, some gentle teasing of Germany’s French neighbours, and even a ghost that is chased away to make way for new possibilities. But most of all, A E I O U is a passionate love letter to Sophie Rois and, perhaps through her, all the brilliant actors neglected by an industry all too fond of young blood. Well, it turns out that these young players, embodied here by newcomer Milan Herms, not only look up to their more experienced peers, they truly love them.

簡(jiǎn)介：一個(gè)年輕的竊賊為了躲避黑幫的追捕躲進(jìn)了一棟房子，房子的屋主是一個(gè)身患重病的女孩。兩人在相處中產(chǎn)生了感情，男孩一直鼓勵(lì)女孩要勇敢活下去，沒有料到的是男孩不知自己已經(jīng)身患癌癥，會(huì)比女孩更早離去。

簡(jiǎn)介：這是一部紀(jì)實(shí)性電影，逼真地反映了希特勒人生的最后12天，第三帝國(guó)最后的日子?！　√K聯(lián)紅軍已經(jīng)攻入柏林，希特勒（布魯諾·甘茨 Bruno Ganz 飾）和情婦愛娃（茱莉安·柯勒 Juliane K?hler 飾）也躲到了掩體下。愛娃知道自己是來陪希特勒一起共赴黃泉的，但她并 不后悔。即使在她向希特勒為妹夫求情遭拒絕后，她也和希特勒一起舉辦了最后一次的婚禮?！　∠Ｌ乩盏闹覍?shí)追隨者戈倍爾（烏爾里?！ゑR特斯 Ulrich Matthes 飾）決心全家一起陪著元首殉葬。他共有7個(gè)孩子，他和妻子堅(jiān)決不讓自己的孩子們?cè)跊]有帝國(guó)的天空生長(zhǎng)，在希特勒和愛娃自殺后也一同自殺。令人不勝感慨?！　v史的真實(shí)通過鏡頭一幕幕重現(xiàn)。

簡(jiǎn)介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.

簡(jiǎn)介：1900年，德國(guó)北部的沃爾普斯韋德小鎮(zhèn)。從他們相遇的那一刻，保拉和奧圖就感受到了生命的共振。對(duì)繪畫共同的熱愛讓他們的感情更加偉大。他們雖然結(jié)了婚，卻過著和當(dāng)時(shí)社會(huì)習(xí)俗所認(rèn)同的不一樣的生活。保拉在藝術(shù)的世界里活出真我，鑄就了美好人生。

簡(jiǎn)介：生活在Volhynia的波蘭女孩Zosia,愛上了一個(gè)烏克蘭男孩，但是她的父母決定讓她嫁給一個(gè)波蘭鰥夫。不久，二戰(zhàn)爆發(fā)，局勢(shì)緊張，身處戰(zhàn)亂中的Zosia，為了生存必須竭盡全力

簡(jiǎn)介：

簡(jiǎn)介：Bayern, 1965. Kaum ein Jahrzehnt hat Deutschland gesellschaftlich so revolutioniert wie die sechziger Jahre. Der Kalte Krieg beherrschte das politische Klima, der Minirock eroberte die Mode, und die Beatles machten dem heimischen Schlager Konkurrenz.　　Von all dem unberührt scheint das bayerische Dorf Lehrbach - bis zu dem Tag, als Julia Welling (Henriette Richter-R?hl) auftaucht, um im Auftrag der katholischen Kirche ein Kinderheim aufzubauen. Ihre modernen p?dagogischen Erziehungsmethoden und ihre emanzipierte Art passen so gar nicht zum traditionellen Familienbild, das auf dem Land noch immer herrscht. Dort hat der Mann das Sagen, geh?rt die Frau an den Herd und gelten Kinder vor allem als billige Arbeitskr?fte in der Landwirtschaft.　　Kein Wunder, dass nicht nur die Bauern, sondern auch Pfarrer Weber (Andreas Lust) und Bürgermeister Huber (Stephan Zinner) nicht gut auf die zugereiste St?dterin zu sprechen sind. Schlie?lich setzt sich Julia über ihre Pl?ne hinweg und kauft statt der alten Gerberei eine leerstehende Kaserne der amerikanischen Truppen, um darin das Kinderheim einzurichten.　　Unerwartete Unterstützung erh?lt Julia von David Carter (David Rott). Der US-Major wickelt die Aufl?sung des Milit?rstandortes in Lehrbach ab und ist von Julias Selbstbewusstsein fasziniert. Doch die Sympathie, die beide für einander empfinden, wird schon bald von Julias Zweifel überschattet, ob ihre Liebe eine Chance haben kann. Denn als Soldat verk?rpert David alles, was Julia ablehnt

簡(jiǎn)介：連鎖藥店“施里克”即將破產(chǎn)，上千名員工面臨著失業(yè)危機(jī)，而且沒有任何的賠償金。單身媽媽安吉，負(fù)債累累的格瑞塔，熱愛自由的扎瑞以及夢(mèng)想成為明星的克瑞斯無(wú)法接受這不公平的待遇。她們四個(gè)聯(lián)合起來努力工作，不惜加班、減薪來挽救她們的工作。然而，這并沒能起到任何的作用，她們四個(gè)決定采用非正常的策略……她們決定占據(jù)他們的藥店，此時(shí)她們偶遇了藥店的老板蒂奧·施里克。事態(tài)的嚴(yán)峻性再次升級(jí)，爭(zhēng)吵到激動(dòng)時(shí)刻，四個(gè)失業(yè)的員工居然綁架了老板……她們的這種冒險(xiǎn)的手段到底是可以挽救藥店還是毀了她們自己？

簡(jiǎn)介：30歲的安德烈是一個(gè)時(shí)裝設(shè)計(jì)師，只要有人需要她的幫助她都不能拒絕，.無(wú)論是不停要求她的父母還是常常讓她工作到深夜的老bbb。她總是試圖幫助其他人解決他們的問題，安德烈發(fā)現(xiàn)她留給自己的時(shí)間很少。直到有一天，她被診斷出乳腺癌……

簡(jiǎn)介：克勞迪婭哈丁是一名有野心的歷史學(xué)家，她在研究16世紀(jì)一位迎娶了阿芝特克公主的西班牙貴族的過程中，發(fā)現(xiàn)了一份古老的記錄，航海圖上顯示出這位貴族的船沉入了加勒比海。 任何財(cái)寶的發(fā)現(xiàn)都能夠支持克勞迪婭的論文，但是她卻被她虛偽的贊助人泰斯查勒教授戲弄了，泰斯查勒搶走了她苦心積累的研究結(jié)果。 深感憤怒的克勞迪婭決定雇傭富有經(jīng)驗(yàn)的尋寶獵人瑞克貝克霍爾德船長(zhǎng)和他自稱最新型的船只“鹽狗”。但是瑞克的描述并不全是真實(shí)的，所謂的最新型的船只，變成了一只生銹的廢船。 近乎絕望的克勞迪婭似乎已經(jīng)沒有選擇的余地了，只能破釜沉舟地和這只探險(xiǎn)隊(duì)共同前進(jìn)。但是出人預(yù)料的是，這只船非常適合海上

簡(jiǎn)介：講述一個(gè)南德史瓦本地區(qū)代代相傳的家族企業(yè)，如何因中國(guó)的經(jīng)濟(jì)崛起而舉家面臨破產(chǎn)危機(jī)，並且在危機(jī)之中重整家庭關(guān)係。旅居柏林的臺(tái)灣作家陳思宏並擔(dān)綱演出商人要角?！　　　　翰魇嫫澑缸印皇且粋€(gè)家庭企業(yè)，在南德小鎮(zhèn)茲瓦本生產(chǎn)紡織機(jī)，但亞洲廠商削價(jià)競(jìng)爭(zhēng)，導(dǎo)致他們的訂單下降，麥克伯恩舒茲（39歲，第二代老闆）不得不背著老爸和中國(guó)人談交易。老爸保羅（90歲，資深合夥人）發(fā)現(xiàn)之後，找來麥克的姐妹瑪麗絲和瑪麗安來拯救由他創(chuàng)下的事業(yè)…　　《全球玩家》用幽默的喜劇形式說了一個(gè)現(xiàn)代悲劇，它是在全球化下中德雙邊的眾生相，也彰顯了德國(guó)中產(chǎn)階級(jí)的危機(jī)。

簡(jiǎn)介：The Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family's wealth allows them to live totally free from consequences.

簡(jiǎn)介：西德安全警察，需要幫助滲透到一個(gè)與在arme連接有關(guān)聯(lián)的組織。瑞典的詹姆斯·邦德，卡爾·漢密爾頓，假扮成一名瑞典軍官，來到漢堡，在被曝光為東德間諜后被趕出了該國(guó)。他與恐怖分子接觸并加入他們。他們正計(jì)劃一起打擊位于斯德哥爾摩的中情局總部。

簡(jiǎn)介：The young Marie, daughter of a Thuringian glassblower, violates all traditions after the death of mother and father. To feed herself and her sisters, she became the first female glassblower in the small town of Lauscha in 1890, and her artful glassy Christmas balls find themselves in America.

簡(jiǎn)介：When insecure teen Simi arrives at her aunt Claudia’s country house at Easter she’s hoping for help with her weight issues. What could be better than the bosom-of-family support from famous aunt Claudia, a best-selling author of books about nutrition and healthy diets. But something strange is sizzling on the emotional hotplate here. Cousin Filipp is being nasty, Claudia’s uptight, and her new hubby Stefan has wandering eyes and weird thoughts. This knockout feature debut by Hengl and his producer-wife Lola Basara turns the screws slowly and with great visual and tonal assurance until Simi and us can take no more... but take more we must before this twisting tale serves a final course you won’t soon forget.

簡(jiǎn)介：大自然災(zāi)難場(chǎng)面驚心動(dòng)魄地呈現(xiàn)；一部好萊塢式的德國(guó)災(zāi)難電影，過足眼癮，刺激之外，這部電影還給觀眾留下什么呢？　　全球的科學(xué)家都在努力研究開發(fā)新能源，資源豐富的海洋成了研究的首選；但是不遵循生態(tài)規(guī)律，貪得無(wú)厭，就會(huì)給地球帶來巨大的災(zāi)難。　　艾爾法氣體公司在海底建立了開發(fā)新能源的基地；由羅伯特統(tǒng)一指揮，但貪圖錢財(cái)，急功近利，采用爆炸的方法尋找新能源，不顧科學(xué)家的勸阻，謀殺了阻撓他的克里特，約翰想要查明克里特的死因，他與水文學(xué)家桑維亞闖入海底基地……羅伯特間諜身份暴露，引爆了所有的炸藥，一場(chǎng)空前的海嘯爆發(fā)……

簡(jiǎn)介：A love story based on the bestseller by Robert Seethaler and is set in a remote Alpine village.

簡(jiǎn)介：一涉及到食物問題，天使們就會(huì)出現(xiàn)問題。當(dāng)他們像喬那森一樣，吃得過多，無(wú)法控制，他們就會(huì)被送到人間，作為懲罰?；氐教焯美锏奈ㄒ粰C(jī)會(huì)，就是積德行善，距離圣誕節(jié)越來越近了… 經(jīng)過了一系列奇怪的，尷尬的遭遇之后，喬那森又開車撞到了醫(yī)生加布里拉與他的兒子朱利安，朱利安在車禍之后，只能依靠輪椅行動(dòng)了...